Aproximación semio-estética en la crítica kantiana: de la Crítica de la razón pura a la Crítica a la facultad de juzgar

The present is an approach to the concept of sign in Kant's critical philosophy. Precisely, in the transition from the first critique to the third, where the question about the higher faculty stops dealing with knowledge or desire to focus on the feeling of pleasure and pain. The trace on the problem of the sign in Kant in the first critique is of vital importance, in addition to a certain consideration of the artistic tradition regarding the sign. This genealogical record will serve to un-derstand the importance of a surreptitious semiotic reading in the Critique of Judgment, but also a place in the spectrum of criticism as a Kantian project. The central question that will modulate Protrepsis, Año 10, Número 19(noviembre 2020–abril2021). www.protrepsis.cucsh.udg.mx26these three axes is constructed as follows: To what extent can we speak in Kantian aesthetic phi-losophy –exposed in the third critique–of an original consideration of the sign, even a novel one with respect to an aesthetic tradition?