Abstract
This article is a historiographical study about iconography in Colonial Art and Architecture. The main bias of this study would be the idea of syncretism and cultural hybridization between Pre-Hispanic and Christian spirituality brought by the Spaniards. The research aims to outline the relationship between the Pre-Hispanic figures and those resulting from our territory evangelization, highlighting correspondences, mixtures and combinations of some Christian icons with those representative of the Andean mythology. Everything was within a context in which Baroque Art allows such type of complexity and diversity.
| Translated title of the contribution | Syncretism as a Form of Protecting Ideas. Historiography of Colonial Iconograph |
|---|---|
| Original language | Undefined/Unknown |
| Article number | 2 |
| Pages (from-to) | 121-133 |
| Number of pages | 16 |
| Journal | Limaq |
| Issue number | 2 |
| State | Published - 2016 |
Keywords
- syncretism
- iconography
- art
- architecture
- Andean baroque
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